Monthly Archives: March 2011

BBC Announces Digital Archive of The Listener Magazine

It was just announced that the BBC is launching a digital archive of The Listener, its radio magazine that ran from 1929 to 1991.

http://www.guardian.co.uk/media/2011/mar/31/bbc-online-archive-the-listener-magazine

The Listener not only published the BBC’s programming schedule and promoted upcoming radio content, but featured many writers from the Bloomsbury Set such as Virginia Woolf, E.M. Forster, and T.S. Eliot. It was also at the forefront of the popular science industry, explaining and promoting theories such as Einstein’s relativity, quantum mechanics, and wave-particle duality to a generally educated audience. The Listener, along with BBC pamphlets and other related ephemera, not to mention the BBC’s signal itself, had a wide reach into the European continent and had a broad impact on discourses in all areas of culture, both mainstream and avant-garde.

This resource will make it much easier to study the history and culture of the 1920s and 1930s, and beyond.

Scribner’s Bindings

One of the major difficulties of studying modernist magazines is that so few libraries hold complete runs of older magazines.  Even when complete runs can be found, however, another serious problem obtains in many cases.  As Robert Scholes and Cliff Wulfman point out in Modernism in the Magazines,  those magazines that can be located frequently have been stripped of their ads and covers and bound in library boards.  These library bindings are a product of pragmatism–there’s only so much space in the stacks after all–but they also reflect a certain concept of textuality, one that privileges the linguistic (the right words in the right order) over the bibliographic (the material/sensual elements of the document).  In the wake of the work done by Jerome McGann and others, scholars have come to question that distinction.  Continue reading

MagMods Questionnaire 3

The Magazine Modernisms Questionnaire is reviving a fascinating but largely neglected feature of modern and modernists magazines (see Lori Cole’s post).  Every few months we will feature a prominent scholar in periodical studies and pose the same three questions to them.

1.  How did periodicals become a part of your research and/or teaching?
2.  Why is it important to study and/or teach periodicals?
3.  What is the next step in periodical studies? Continue reading

Judge Rejects Google’s Deal to Digitize Books

http://www.nytimes.com/2011/03/23/technology/23google.html?hp

The Literary Explosion of the 60s (IV): The Mimeograph Revolution Leaders

The mimeograph revolution is generally considered the peak of the literary upheaval of the 60s. The mimeos were exceedingly easy to produce. Since operating a mimeograph did not require previous experience, flyers or broadsides could be completed in an hour, and a chapbook could take a day at the very most. This sense of immediacy delighted those authors with a perennial hunger for exposure, such as Charles Bukowski or Judson Crews. Moreover, mimeos were extremely inexpensive. Ed Sanders, editor of Fuck You, one of the most representative magazines of the “mimeo revolution,” claimed that the cost of a mimeo could be as little as ten dollars.  According to Douglas Blazek, editor of Olé, it could be anywhere between 75 and 125 dollars. Continue reading

Caribbean Newspaper Digital Library

The Caribbean Newspaper Digital Library looks like an amazing resource for digitized periodicals from the Caribbean, including Cuba’s El Diario de la Marina (with issues from 1899) and Haiti’s literary journals La ronde and La nouvelle ronde (with issues dating from 1901). (Caveat: The quality of the digitization seems a bit mixed, and I’m not sure how searchable the issues are.)

Thanks to the Black Atlantic Resource Debate Blog, where I first learned of this periodicals resource. Some highlights of the digital library are listed here.
Eurie.

The Literary Explosion of the 60s (III): Charles Bukowski

Critics have claimed that Bukowski was the most prolific author of the 60s. Bukowski wrote indefatigably over a period spanning fifty years, and he probably submitted his material to magazines of all sorts on a daily basis as well. It would be exceedingly difficult to determine the total number of poems, stories, essays, columns, introductions, or letters he penned. His staggering literary production has not been properly analyzed or classified as of yet. According to long-time editor John Martin, Black Sparrow Press and Ecco have published 2,643 poems to date, but since there are unintended duplicates in the posthumous collections, it is safe to assume that the actual figure is closer to 2,500. In any case, Martin claims that this amount is roughly half the total number of poems Bukowski actually wrote. Part of the other half appeared in the “littles,” and the remaining ones have not been published.

These estimates clearly indicate that Bukowski was, from the very onset of his career, an extremely prolific author by any standards. His industrious production during the 1950-70 period is reflected in the graph below. Similarly, the 447 Bukowski entries in Christopher Harter’s An Author Index to Little Magazines of the Mimeograph Revolution confirm his prolific nature. Even if Harter’s index does not encompass the totality of Bukowski’s mammoth output in the 60s, he turns out to be the most published author of the period, clearly surpassing the literary efforts of other small press legends, such as Judson Crews, William Burroughs, or Lyn Lifshin. It is as if Bukowski had foreseen the value of the “publish or perish” culture before it became an unavoidable reality.

The following graph, based on all the Bukowski bibliographies published to date and on several hundred periodicals that I have personally reviewed in over a dozen American libraries, displays the total number of litle magazines published as well as the total number of magazine issues featuring Bukowski’s work from 1950 to 1970. As in the graphs shown in the previous installments, the little magazines and Trace, the upward pattern becomes evident in the late 50s.

 

Next – The Literary Explosion of the 60s (IV): The Mimeograph Revolution Leaders

The Literary Explosion of the 60s (IV): Bukowski