The American Essay and the American Magazine

Magazine Modernisms is happy to announce the publication of Ned Stuckey-French’s The American Essay in the American Century, which will be of real interest to those interested in two burgeoning fields of study:  American periodical culture and middlebrow taste.  The book recounts the history of the personal essay in the twentieth century, a history that largely took shape in magazines among writers trying to find a new form, suitable for cosmopolitan middle-class readers, for the essay. Readers of this blog will also want to visit the small but illuminating digital archive Stuckey-French has created at his website.  The “Essays in America” archive provides bibliographic and contextual information and images for some classic American essays, originally published in periodicals, by Martin Luther King, H. L. Mencken, Margaret Sanger and others. Read the publisher’s description after the jump.

From the Publisher:  “In modern culture, the essay is often considered an old-fashioned, unoriginal form of literary styling. The word essay brings to mind the uninspired five-paragraph theme taught in schools around the country or the antiquated, Edwardian meanderings of English gentlemen rattling on about art and old books. These connotations exist despite the fact that Americans have been reading and enjoying personal essays in popular magazines for decades, engaging with a multitude of ideas through this short-form means of expression.

To defend the essay—that misunderstood staple of first-year composition courses—Ned Stuckey-French has written The American Essay in the American Century. This book uncovers the buried history of the American personal essay and reveals how it played a significant role in twentieth-century cultural history.

In the early 1900s, writers and critics debated the “death of the essay,” claiming it was too traditional to survive the era’s growing commercialism, labeling it a bastion of British upper-class conventions. Yet in that period, the essay blossomed into a cultural force as a new group of writers composed essays that responded to the concerns of America’s expanding cosmopolitan readership. These essays would spark the “magazine revolution,” giving a fresh voice to the ascendant middle class of the young century.

With extensive research and a cultural context, Stuckey-French describes the many reasons essays grew in appeal and importance for Americans. He also explores the rise of E. B. White, considered by many the greatest American essayist of the first half of the twentieth century whose prowess was overshadowed by his success in other fields of writing. White’s work introduced a new voice, creating an American essay that melded seriousness and political resolve with humor and self-deprecation. This book is one of the first to consider and reflect on the contributions of E. B. White to the personal essay tradition and American culture more generally.

The American Essay in the American Century is a compelling, highly readable book that illuminates the history of a secretly beloved literary genre. A work that will appeal to fiction readers, scholars, and students alike, this book offers fundamental insight into modern American literary history and the intersections of literature, culture, and class through the personal essay. This thoroughly researched volume dismisses, once and for all, the “death of the essay,” proving that the essay will remain relevant for a very long time to come.”

About the Author
Ned Stuckey-French is Assistant Professor of English at Florida State University. He is coeditor of the forthcoming Essayists on the Essay: Four Centuries of Commentary and coauthor of the eighth edition of Writing Fiction: A Guide to Narrative Craft, the most widely adopted creative writing text in the U.S. He lives with his wife, author Elizabeth Stuckey-French, in Tallahassee, Florida.


One response to “The American Essay and the American Magazine

  1. Thanks, James! This page looks great. I look forward to any comments people may have about the book and other projects. All best, Ned

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